Swarming SDCC examines producer–intermediary–audience relations in the entertainment industry through the lens of the San Diego Comic-Con. It’s no secret that the cultural industries are radically changing: on the one hand, the participatory cultures enabled by networked digital communication have been seen as democratizing media, enabling creators and audiences to find one another outside of established industry gatekeepers; on the other hand, ever-greater levels of ownership concentration in the media industries reactivate concerns about oligopoly and market power. Comic-Con, which has been described by one analyst as a “laboratory in which the global future of media is unspooling in real time,” affords an ideal vantage point for exploring the effects of these transformations. Key research questions include:
- How does a large-scale event like the San Diego Comic-Con interpellate diverse agents and actors? Who gets to be included in its conception of popular media?
- How does the allocation of space, programming, attention and other infrastructural resources structure industry–audience relations?
- How do individuals enrolled in these industry–intermediary–audience assemblages experience and navigate the space of a major con?
Our project adopts an ethnographic approach, seeking a rich understanding of how these processes are register in and are worked out through the lived experience of attending Comic-Con. More specifically, we are planning a “collaborative event ethnography” or “swarm ethnography” of the San Diego Comic-Con. Our team of seven leading scholars of industry–fan relations will bring a group of outstanding student researchers to Comic-Con for collaborative fieldwork that seeks to understand the ways that media companies, cultural intermediaries, and ordinary audience members are articulated together through a con event.
We gratefully acknowledge the support of the Social Sciences and Humanities Research Council of Canada.